Skip to main content

Aunt Bea


Today, first and foremost, I want to remember my Aunt Bea, who is no longer with us—at least not in any physical sense.  I choose the word "want" deliberately, for wanting to remember and remembering do not necessarily follow each other.  I did not spend a lot of time with her; we almost always lived too far away to make that practical.  But I can sketch out some details.  First her looks: I remember her always as having dark hair, though in later years the color was lighter, warmer, a carefully selected auburn.  I remember the shape of her face as being rounded in youth, with lady-apple cheeks and a chin that formed a soft protruding orb but was also cleft the way her father's was; on her it looked delicate somehow, more like an elegant dimple.  She was not tall, and she was slim.  She wore fashionable but understated clothing.  In the photographs I have of her, time runs afoul of traditional chronology.  I have a portrait picture (above) taken in 1950, when I know she could not have been more than about 15 or 16 years old.  She looks older, however; it was common in that era.  Maybe it was the pose, the hair style, the three-strand faux (I think) pearl choker.  Later on, when she was a young adult, and then middle-aged, and finally on into her sixties, the reverse was true: she looked younger than her years, always.  Maybe it had something to do with the maxim that we get the face we deserve.  Hers was beautiful, I have to say.  Next, her manner: she was quiet, in all things.  I never heard her raise her voice, though perhaps I just never had the occasion to hear; still, I cannot imagine it.  She was one of those people who lived in silent observation, it seemed.  She saw things with a fresh eye, a delighted artist's eye (she was, in fact, an artist, though she came to her painting later in life).  I remember that she and my mother would spend long hours on the telephone, but that I always felt anxious about saying hello, because I never knew what to say, and because she was quiet, and because silence over the telephone always feels uncomfortable to me.  I wished I could see her instead, be in her company, because then the silence would feel natural, peaceful, welcome.  What she did say, she said slowly.  It always sounded like hesitation, but I think she just took the measure of each thought before she let it out.  I wish I were more like her in this way.  She liked simplicity, and neatness.  She wore a simple black dress at my wedding, and I thought it was wonderful.
I received from her one year a set of antique crystal candlesticks.
One had broken in shipping; I never told her, and I cherish the single candlestick all the more (see photo, right).  Another year she sent a silver toast rack from the same shop.  These are small luxuries from a bygone era: who uses toast racks anymore?  Something about her, too, always seemed to belong to another time, a more innocent time (if such a thing exists).  She was not out of touch, but seemed to me somehow disconnected from the ugliness of the world at large.  The only other thing I remember in connection with her is my being quite a young child and worrying, as my parents were about to go away together on a trip, what would happen to me if something happened to them?  Where would I go, who would I live with?  When I asked my mom, her answer was that I would live with Aunt Bea and her family, and I remember thinking this was a small measure of comfort for my fears.  In a child's language, Aunt Bea was nice.  But nothing did happen to my parents, I am happy to say, and I never lived under Aunt Bea's roof.  Today, I think of her—of the life I imagine she led in the silence of her thoughts, of some few facts I possess of her outwardly lived life.  I regret that I did not get to know her better, but I feel blessed to have known her at all.  I also think of my mom, who has her own memories of a little sister tugging at the hem of her dress; I think of my cousins, who have lost their mother . . . I wish all of them comfort on a sad anniversary, but hope that they will do something to celebrate the life Bea lived, more than dwell on the loss of her.  And if anyone who knew Bea is reading this post and wants to share a memory or two, I welcome all contributions.  I, meanwhile, will light a candle in the crystal candlestick, and eat kolyva, the traditional Greek memorial dish, in her honor.  (For more about kolyva, visit my other blog, Melting Pot Family.)

Comments

Anonymous said…
Really beautiful. Thank you. I think that one candlestick is her in your house.

Popular posts from this blog

Tap Root Manuscript

Here is an early music memory: I am very young. If not still a toddler, then not much older. I am running around the living room, squealing with unrestrained delight, while my dad chases me to the tune of "I Am the Lion" by Neil Diamond (Ba-pa-la ding-ga!). He's reached deep down and pulled out his big baritone voice—the one he also used for "Old Man River" on occasion; the one that always awed me. It's the early 1970s, and although hopelessly pop and showy, there is no shame in liking Neil Diamond. Not at this time. Later, I'd go through nearly two decades of keeping this (admittedly) often schmaltzy artist at more than arm's length. When I bothered to remember Neil Diamond, which generally I didn't, I thought of him more like a skeleton in my musical closet; a dirty little secret that, if exposed, would set me up for some heavy razzing from friends. I don't remember when it was that I recovered my dad's Tap Root Manuscript album. It wa...

Black Kids Read, Too

The worst kind of prejudice is the kind that slips under the radar. It's too subtle to cause a stir (and if you point it out, you'll usually get a sideways look: you're the one making too much of nothing), but its corrosive message nevertheless seeps in—subliminally, insidiously—beating down the spirit of the group it belittles or excludes. I am blessed to have been raised by two parents who were sensitive to prejudicial undercurrents; they fought against them in their own distinct ways through the tumultuous 1960s, and into the 70s and 80s as I was growing up. And it seems, thinking about it now, that they never missed a good learning moment with me: we often discussed issues of bias, prejudice, stereotype, and their harmful effects. This week, images in some of my kindergartener's reading books gave me pause. And in wrestling with how to handle these, I remembered something I hadn't thought of in many years: the library at the Brentwood Science Magnet School in ...

Touch Typing

Between seventh and eighth grades (or between eighth and ninth?) the deal was this: if I wanted to take an art class in summer school, I had to take typing. So said Mom. Although I didn't mind being in an art studio soldering bits of stained glass together, the thought of staying inside, seated in front of a typewriter when I could see the sun in its beautiful blue sky out the window, was torture. Still, I sat there. Such is the suffering one will endure for art! I typed the home keys in order, hundreds of times: a-s-d-f-g-h-j-k-l-;. I stretched my fingers up for T and Y and down for B. I did pages of the prototype sentence, "The quick brown fox jumped over the lazy dogs." Yes, it has every letter of the alphabet in it at least once. I learned to automatically put two spaces after each period. (I have had a hard time undoing this habit, but a copy editor's job these days is often to make sure there is only one space following a complete sentence!) It's fair to say...