* For those of you who don't know, I'll state it here: Little did anyone know in the early days of January 1979, just how much snow we were about to get that Chicago winter! The blizzard of '79 remains one of the worst on record. Beginning the night of Friday, January 12, and dropping 20 inches of snow over the weekend (on top of a base snowfall of 7-10 inches), the storm paralyzed the city, closed O'Hare for days, and sent the then-mayor's plans for reelection up in smoke. Oddly, I don't remember much about the actual storm—we probably lost some power; I imagine school was closed for some of the following week; and likely the only cars on the roads were the ones with snow tires and chains. My parents probably cursed. I probably loved the excitement. But the story of Devil's Hill remains much bigger to me in my myopic eye of childhood than the blizzard that paralyzed a whole city, which is why I won't be posting any direct memories of the Chicago blizzard on the January 12th anniversary.
Here is an early music memory: I am very young. If not still a toddler, then not much older. I am running around the living room, squealing with unrestrained delight, while my dad chases me to the tune of "I Am the Lion" by Neil Diamond (Ba-pa-la ding-ga!). He's reached deep down and pulled out his big baritone voice—the one he also used for "Old Man River" on occasion; the one that always awed me. It's the early 1970s, and although hopelessly pop and showy, there is no shame in liking Neil Diamond. Not at this time. Later, I'd go through nearly two decades of keeping this (admittedly) often schmaltzy artist at more than arm's length. When I bothered to remember Neil Diamond, which generally I didn't, I thought of him more like a skeleton in my musical closet; a dirty little secret that, if exposed, would set me up for some heavy razzing from friends. I don't remember when it was that I recovered my dad's Tap Root Manuscript album. It wa...
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