* For those of you who don't know, I'll state it here: Little did anyone know in the early days of January 1979, just how much snow we were about to get that Chicago winter! The blizzard of '79 remains one of the worst on record. Beginning the night of Friday, January 12, and dropping 20 inches of snow over the weekend (on top of a base snowfall of 7-10 inches), the storm paralyzed the city, closed O'Hare for days, and sent the then-mayor's plans for reelection up in smoke. Oddly, I don't remember much about the actual storm—we probably lost some power; I imagine school was closed for some of the following week; and likely the only cars on the roads were the ones with snow tires and chains. My parents probably cursed. I probably loved the excitement. But the story of Devil's Hill remains much bigger to me in my myopic eye of childhood than the blizzard that paralyzed a whole city, which is why I won't be posting any direct memories of the Chicago blizzard on the January 12th anniversary.
It was only last night, but already it rates among my most powerful memories—one I know will reverberate down time's lonely corridors, enduring where the daily slush of logistical life (thankfully) does not. Yesterday contained plenty of logistical craziness, but by 8:00 PM I was seated in the last row of the dress circle at Carnegie Hall next to my father, looking down on a stage empty but for a single piano, a bench, and a collection of microphones wired for the live recording of Keith Jarrett's solo improvisational performance. I have always loved these charged moments of anticipation before a performance, and I expected this concert to be something special—that much more so because the tickets came through a friend of a very dear friend in California, a last-minute opportunity to be seized, and because a love of Keith Jarrett was transmitted to me by my father, and this was a great way to thank him for bringing awareness of this man's music into my life. But this is all...
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