Skip to main content

Flying Fingers, Lace Legacy


They'd move so quickly—hooking, looping, twisting yarn with a crochet hook—your eyes couldn't keep pace with the motion of Yiayia's fingers as they transformed an unbroken strand link by cotton link into a lace doily, a place mat; wool into an afghan. Her hands were always busy, fingers flying, creating an abundance of fabric objects, some functional and others purely decorative, placed under lamps and dishes, serving to cover side tables, the backs or arms of the plastic-coated living room furniture I remember quite well (and thought of as strange). The white lace doilies, several of which I have inherited, are quite delicate, some simple and others intricate; they have in common an elegance that was generally lacking in my grandmother's difficult and often impoverished immigrant life. Because of her circumstances, her culture, her upbringing, her temperament, it should be said that she was not delicate with her children (my mother and her five siblings), and that this had its effects. My grandmother was a Greek woman of meager means, direct and coarse in her speech—but with her handcrafts and her other passion, tending roses in her garden, she brought some beauty into hardship, at least in this way. With the grandchildren, I remember, she was all affection: wobbly arms to give hugs, fingers to pinch cheeks and offer homemade cookies. Her voice contained the gravelly sound of pebbles and the Ionian sea that formed her native landscape. For me, when I was perhaps ten, she crocheted a beige lace purse, lined with cotton muslin. I have not seen it in years and fear I may have given it away in a teenage shedding of skin, so to speak. Another lost treasure is the granny-square afghan of shocking mix-and-match colors against a black background (looking very 1970s kitsch), which was in my parents last house but seems not to have made the move to their present apartment. They do still have a soft, off-white baby "blanket" (more like a shawl) that was a gift at my birth, plus a duplicate that had been made for a friend's family and that was given back to ours when my own son was born. Today is the anniversary of Yiayia's birth; she would have been 109 years old. If I had the afghan, I would curl up in it, think of her tonight, and keep warm on a cold evening. As it stands, with a few pieces of lace for a legacy, along with a simple gold cross on a chain, a water pitcher, and a set of cordial glasses, I will simply decorate my table tonight and toast to her memory. Yia sou, Yiayia, s'agapo!

Comments

Popular posts from this blog

Black Kids Read, Too

The worst kind of prejudice is the kind that slips under the radar. It's too subtle to cause a stir (and if you point it out, you'll usually get a sideways look: you're the one making too much of nothing), but its corrosive message nevertheless seeps in—subliminally, insidiously—beating down the spirit of the group it belittles or excludes. I am blessed to have been raised by two parents who were sensitive to prejudicial undercurrents; they fought against them in their own distinct ways through the tumultuous 1960s, and into the 70s and 80s as I was growing up. And it seems, thinking about it now, that they never missed a good learning moment with me: we often discussed issues of bias, prejudice, stereotype, and their harmful effects. This week, images in some of my kindergartener's reading books gave me pause. And in wrestling with how to handle these, I remembered something I hadn't thought of in many years: the library at the Brentwood Science Magnet School in ...

Tap Root Manuscript

Here is an early music memory: I am very young. If not still a toddler, then not much older. I am running around the living room, squealing with unrestrained delight, while my dad chases me to the tune of "I Am the Lion" by Neil Diamond (Ba-pa-la ding-ga!). He's reached deep down and pulled out his big baritone voice—the one he also used for "Old Man River" on occasion; the one that always awed me. It's the early 1970s, and although hopelessly pop and showy, there is no shame in liking Neil Diamond. Not at this time. Later, I'd go through nearly two decades of keeping this (admittedly) often schmaltzy artist at more than arm's length. When I bothered to remember Neil Diamond, which generally I didn't, I thought of him more like a skeleton in my musical closet; a dirty little secret that, if exposed, would set me up for some heavy razzing from friends. I don't remember when it was that I recovered my dad's Tap Root Manuscript album. It wa...

Touch Club

Another experience to come out of my father's L.A. years with Playboy was involvement with a private, membership-based Beverly Hills supper club called Touch. The connections are fuzzy in my mind. I always want to say that the club was backed financially by Playboy Enterprises, but I'm not sure this is accurate. It may have just been that one of the club's owners belonged to Hefner's entourage—being one of the many who made it their business to stop by the Playboy mansion on a regular basis. Or perhaps he (I forget his name, despite having heard it regularly at one point in my life) was a salaried employee of the company, linked somehow to club/casino operations? However it came into being, the Touch Club opened in the early 1980s (perhaps it was the year 1980; it was eventually sold in 1986), and we dined there sometimes, my parents and I; this was always a special occasion I got to dress up for. I don't remember the menu, but based on the intended clientele, I...