Skip to main content

Sligo to Donegal: April 9, 1998


I went back to Ireland in April 1998. Eleven years ago now being my most recent trip to the Emerald Isle. It had been ten years between the time of this last visit and my first one in March of 1988. This time, in '98, traveling alone again meant having time to reflect on differences, and over a decade there were many in the physical, political, and psychological landscapes around me. The eyes of the world were on Ireland at this time, as well: the Easter Accord was being negotiated, with Bertie Ahern, Tony Blair, and U.S. Senator George Mitchell called to Belfast to broker a deal between the Ulster Unionists and the Nationalist side. The calendar that year mirrored the days of the current 2009 Holy Week exactly: as it is today, Maundy Thursday was on April 9th in 1998. On that day marking communion and humility in the Christian faith, political ideology took center stage in the news—it was the official deadline day for the settlement talks. I made my way up the northwest coast of the country, leaving Sligo on the bus to Donegal, out the N15 road. I had been following the all-party talks closely, but the bus ride pulled me out of all that for a time.

From the bus: a sifting of white powder dusts the mountain head of Ben Bulben, cuts of limestone shaping the blue sky—a dignified profile of rock putting its best face forward. Looking out the window, I see Drumcliff churchyard to the right, the grave of a great poet. As a memory within a memory, on the bus I hear the voice of Tilman Anhold, owner of the Horse Holiday Farm (where I stayed in 1988; I wrote about it in this post): Yeats's name pronounced with a German accent. There had been other drives here as well, past the same site in a small white car with S., on our way into town and then out of it (and the pubs) much later, risking our too-young lives with so much whiskey turning the wheels, turning our vision nearsighted, selfish. A blink of the eye and the Horse Holiday Farm passes, the farmhouse still white, nestled in hills that taper down to the bay. The bus rolls on. Grange and Cliffony all grown up and hard to recognize now that the Celtic Tiger has run through the country. But then the bus takes a turn and gives me a full, breathtaking view of the dunes. They have not changed. They are just as fluid and supple as ever, shifting shape in the wind but always present. Pillows of sand, tall grass blankets. I made my bed there once. We pass Bundoran, and again I see all the signs of growth and some blights of globalization: there's a KFC just outside town. Am I wrong to want to keep this country unspoiled, frozen in time, even if that means a time of less prosperity overall? I remember the hail storm that hit Ballyshannon; the narrow, steep streets, sharp curves that rolled us on to Donegal. On approach, the Blue Stack Mountains, Slieve League, whitecaps in the bay.

Later in the day, I sat by the water, watched it turn from black to blue to silver. I made a sandwich out of fresh blue cheese and a crusty roll, washed it down with Irish mineral water and the taste of a sweet pear, its juice trailing down my wrist. I watched the birds. White seabirds with black heads struggled against the wind. Held in place, suspended over water, until they'd sink down to find a current of air that might carry them forward. Blown backward instead, but finally they managed to move on. How like these birds was the quest for peace in the North.

Comments

Popular posts from this blog

Tap Root Manuscript

Here is an early music memory: I am very young. If not still a toddler, then not much older. I am running around the living room, squealing with unrestrained delight, while my dad chases me to the tune of "I Am the Lion" by Neil Diamond (Ba-pa-la ding-ga!). He's reached deep down and pulled out his big baritone voice—the one he also used for "Old Man River" on occasion; the one that always awed me. It's the early 1970s, and although hopelessly pop and showy, there is no shame in liking Neil Diamond. Not at this time. Later, I'd go through nearly two decades of keeping this (admittedly) often schmaltzy artist at more than arm's length. When I bothered to remember Neil Diamond, which generally I didn't, I thought of him more like a skeleton in my musical closet; a dirty little secret that, if exposed, would set me up for some heavy razzing from friends. I don't remember when it was that I recovered my dad's Tap Root Manuscript album. It wa...

Black Kids Read, Too

The worst kind of prejudice is the kind that slips under the radar. It's too subtle to cause a stir (and if you point it out, you'll usually get a sideways look: you're the one making too much of nothing), but its corrosive message nevertheless seeps in—subliminally, insidiously—beating down the spirit of the group it belittles or excludes. I am blessed to have been raised by two parents who were sensitive to prejudicial undercurrents; they fought against them in their own distinct ways through the tumultuous 1960s, and into the 70s and 80s as I was growing up. And it seems, thinking about it now, that they never missed a good learning moment with me: we often discussed issues of bias, prejudice, stereotype, and their harmful effects. This week, images in some of my kindergartener's reading books gave me pause. And in wrestling with how to handle these, I remembered something I hadn't thought of in many years: the library at the Brentwood Science Magnet School in ...

Touch Typing

Between seventh and eighth grades (or between eighth and ninth?) the deal was this: if I wanted to take an art class in summer school, I had to take typing. So said Mom. Although I didn't mind being in an art studio soldering bits of stained glass together, the thought of staying inside, seated in front of a typewriter when I could see the sun in its beautiful blue sky out the window, was torture. Still, I sat there. Such is the suffering one will endure for art! I typed the home keys in order, hundreds of times: a-s-d-f-g-h-j-k-l-;. I stretched my fingers up for T and Y and down for B. I did pages of the prototype sentence, "The quick brown fox jumped over the lazy dogs." Yes, it has every letter of the alphabet in it at least once. I learned to automatically put two spaces after each period. (I have had a hard time undoing this habit, but a copy editor's job these days is often to make sure there is only one space following a complete sentence!) It's fair to say...