Skip to main content

Good Humor/Popsicle


Some of the best memories are simple. Nothing profound, nothing to analyze at all. Just the bliss of a sunny spring day in an urban childhood. A day for shedding winter layers, for walking in sandals in the park, hand in hand with Mom—who agrees that, yes, it is a day made for ice cream. I remember being in Central Park with my mother, seeking out the ice cream wagons, looking for their boxy white freezers and striped umbrellas. Before the roll-out of the Chipwich, before the advent of the Dove Bar—each of these brands appearing in the decadent 1980s, the first boom decade of "pay more, you deserve it" (these ice cream bars broke the $1.00 barrier of the times)—there was just Good Humor and Popsicle. Simple, affordable, artificial, but still good. I remember Toasted Almond bars (my favorite of the genre now), Chocolate Eclairs, King Cones, and Neapolitan ice cream sandwiches. I enjoyed Fudgsicles, red-white-and-blue Bomb Pops, and the packaged ice cream treat I loved perhaps the best back then: the original Creamsicle. Sitting on a bench, sucking on the icy orange outer shell, trying to resist the temptation to bite through right away to the creamy vanilla center. I always lost that battle with myself, still do. In my world, ice cream knows no patience. I'd sit there with my Mom, do my best to make it last: the ice cream, her company, the rush of cold on my teeth, the sun on my face. Years later, I'd chase down that comfort in the cafeteria of my boarding school. I remember (calories be damned in my dancer's world, I'd shave them off somewhere else) ending up with bowls filled half with orange sherbet, half with vanilla ice cream. I remember closing my eyes, letting a mix of sherbet cream melt on my tongue, and it was bliss. It tasted just like a Creamsicle, tasted just like when I was little, when life was simple, and my mother's hand in mine led me to an ice cream cart on a warm spring day.

Comments

Popular posts from this blog

Black Kids Read, Too

The worst kind of prejudice is the kind that slips under the radar. It's too subtle to cause a stir (and if you point it out, you'll usually get a sideways look: you're the one making too much of nothing), but its corrosive message nevertheless seeps in—subliminally, insidiously—beating down the spirit of the group it belittles or excludes. I am blessed to have been raised by two parents who were sensitive to prejudicial undercurrents; they fought against them in their own distinct ways through the tumultuous 1960s, and into the 70s and 80s as I was growing up. And it seems, thinking about it now, that they never missed a good learning moment with me: we often discussed issues of bias, prejudice, stereotype, and their harmful effects. This week, images in some of my kindergartener's reading books gave me pause. And in wrestling with how to handle these, I remembered something I hadn't thought of in many years: the library at the Brentwood Science Magnet School in ...

Tap Root Manuscript

Here is an early music memory: I am very young. If not still a toddler, then not much older. I am running around the living room, squealing with unrestrained delight, while my dad chases me to the tune of "I Am the Lion" by Neil Diamond (Ba-pa-la ding-ga!). He's reached deep down and pulled out his big baritone voice—the one he also used for "Old Man River" on occasion; the one that always awed me. It's the early 1970s, and although hopelessly pop and showy, there is no shame in liking Neil Diamond. Not at this time. Later, I'd go through nearly two decades of keeping this (admittedly) often schmaltzy artist at more than arm's length. When I bothered to remember Neil Diamond, which generally I didn't, I thought of him more like a skeleton in my musical closet; a dirty little secret that, if exposed, would set me up for some heavy razzing from friends. I don't remember when it was that I recovered my dad's Tap Root Manuscript album. It wa...

Touch Club

Another experience to come out of my father's L.A. years with Playboy was involvement with a private, membership-based Beverly Hills supper club called Touch. The connections are fuzzy in my mind. I always want to say that the club was backed financially by Playboy Enterprises, but I'm not sure this is accurate. It may have just been that one of the club's owners belonged to Hefner's entourage—being one of the many who made it their business to stop by the Playboy mansion on a regular basis. Or perhaps he (I forget his name, despite having heard it regularly at one point in my life) was a salaried employee of the company, linked somehow to club/casino operations? However it came into being, the Touch Club opened in the early 1980s (perhaps it was the year 1980; it was eventually sold in 1986), and we dined there sometimes, my parents and I; this was always a special occasion I got to dress up for. I don't remember the menu, but based on the intended clientele, I...