Skip to main content

Sleepy Sleepy . . .


This is what I am, once again: sleepy. Bone tired. The kind of tired you are not sure you will recover from, and the kind that makes you feel like a child no matter your age. My memory of the moment springs from this feeling, which my son apparently shared tonight. This depth of fatigue is no problem when you are able to lie down and drop immediately into a profound sleep. Sometimes, however, that's not possible, which is when you'd be glad for someone to rub your back. For years now—since a particularly tortuous transatlantic flight with my then-toddler—my son has asked for someone to "rub my back and count to twenty." Counting to twenty is getting off scott free: the whole ritual took form on that cramped airplane, when the only way I could get my son to sleep was to start counting . . . and count all the way to two hundred before it had any effect. Now it's either one of us (my husband or I) who counts at night, but there's another thing that only I do; I was asked to do it tonight. It's something that takes me back to my own childhood in a heartbeat, since my mother would do it for me when I had trouble going to sleep or just wanted a little bit of extra company. She did this at home, but for some reason the most vivid memory is of a time when we were visiting her parents, and I was in a spare room, bundled under one of my grandmother's crocheted afghans (black background, granny square style with fluorescent colors that clashed horribly but somehow worked when all of a piece). I remember lying on my stomach while my mother patted my back gently, in time to a rhythm she created with her voice: Slee-py, sleep . . . go to sleep . . . nighty night . . . I love you . . . slee-py sleepy . . . Her cadence was slow, low, close to a whisper. This went on for who knows how many minutes, usually until I dropped into slumber—it worked nearly every time. Now the same is true of my son. When he is having the most trouble falling to sleep, counting to twenty is not quite enough. There'll be twenty, but then the lullaby of sleepy sleepy. I'll rub circles on his back, under his shirt. On those nights, I'm pretty sure that I myself—no matter my own state of exhaustion or agitation—will have no trouble when lights are out. I will curl up on my side, close my eyes, and remember the soothing lullaby of childhood. It still works like a charm, all these decades later.

Comments

Popular posts from this blog

Black Kids Read, Too

The worst kind of prejudice is the kind that slips under the radar. It's too subtle to cause a stir (and if you point it out, you'll usually get a sideways look: you're the one making too much of nothing), but its corrosive message nevertheless seeps in—subliminally, insidiously—beating down the spirit of the group it belittles or excludes. I am blessed to have been raised by two parents who were sensitive to prejudicial undercurrents; they fought against them in their own distinct ways through the tumultuous 1960s, and into the 70s and 80s as I was growing up. And it seems, thinking about it now, that they never missed a good learning moment with me: we often discussed issues of bias, prejudice, stereotype, and their harmful effects. This week, images in some of my kindergartener's reading books gave me pause. And in wrestling with how to handle these, I remembered something I hadn't thought of in many years: the library at the Brentwood Science Magnet School in ...

Tap Root Manuscript

Here is an early music memory: I am very young. If not still a toddler, then not much older. I am running around the living room, squealing with unrestrained delight, while my dad chases me to the tune of "I Am the Lion" by Neil Diamond (Ba-pa-la ding-ga!). He's reached deep down and pulled out his big baritone voice—the one he also used for "Old Man River" on occasion; the one that always awed me. It's the early 1970s, and although hopelessly pop and showy, there is no shame in liking Neil Diamond. Not at this time. Later, I'd go through nearly two decades of keeping this (admittedly) often schmaltzy artist at more than arm's length. When I bothered to remember Neil Diamond, which generally I didn't, I thought of him more like a skeleton in my musical closet; a dirty little secret that, if exposed, would set me up for some heavy razzing from friends. I don't remember when it was that I recovered my dad's Tap Root Manuscript album. It wa...

Touch Club

Another experience to come out of my father's L.A. years with Playboy was involvement with a private, membership-based Beverly Hills supper club called Touch. The connections are fuzzy in my mind. I always want to say that the club was backed financially by Playboy Enterprises, but I'm not sure this is accurate. It may have just been that one of the club's owners belonged to Hefner's entourage—being one of the many who made it their business to stop by the Playboy mansion on a regular basis. Or perhaps he (I forget his name, despite having heard it regularly at one point in my life) was a salaried employee of the company, linked somehow to club/casino operations? However it came into being, the Touch Club opened in the early 1980s (perhaps it was the year 1980; it was eventually sold in 1986), and we dined there sometimes, my parents and I; this was always a special occasion I got to dress up for. I don't remember the menu, but based on the intended clientele, I...