Skip to main content

Touch Typing


Between seventh and eighth grades (or between eighth and ninth?) the deal was this: if I wanted to take an art class in summer school, I had to take typing. So said Mom. Although I didn't mind being in an art studio soldering bits of stained glass together, the thought of staying inside, seated in front of a typewriter when I could see the sun in its beautiful blue sky out the window, was torture. Still, I sat there. Such is the suffering one will endure for art! I typed the home keys in order, hundreds of times: a-s-d-f-g-h-j-k-l-;. I stretched my fingers up for T and Y and down for B. I did pages of the prototype sentence, "The quick brown fox jumped over the lazy dogs." Yes, it has every letter of the alphabet in it at least once. I learned to automatically put two spaces after each period. (I have had a hard time undoing this habit, but a copy editor's job these days is often to make sure there is only one space following a complete sentence!) It's fair to say I hated the class at the time. Now, though, I have to tip my hat to Mom and say a belated "thanks" for making me do it. Then, I thought it was such an old fashioned, secretarial thing to do—and it was clear I would never be a secretary—but of course it was good advice, regardless. And now, with my current art form dependent on my fingers keeping up with my thoughts (I work directly on the computer most of the time, I have to admit, though it's a poor substitute sometimes for good old pen on paper), well, it's a good thing I can type fast. Except, pardon me, it's not even called "typing" anymore; it's "keyboarding." And it's quite silent, at least compared to what typing was. No hard striking sound of an actual key on paper, no loud electric hum (when you were actually using an electric typewriter and not a manual one), no bell to signal the end of the line, no carriage return or satisfying roll of the platen as you pull out a finished page. And suddenly I'm feeling old: I realize that my son will not even know, unless I tell him, that there ever was such a thing as a typewriter!  Maybe I should send him to this site, the Classic Typewriter Page. I can also tell him about the black Underwood that belonged to my grandmother, plus my mother's Royal, which she painted a bright enamel red. I inherited both of these typewriters, but my son has not yet seen them: they were sent for overhaul to a mechanically gifted Luddite genius in a scary-looking office space in the Flatiron building, and I have yet to reclaim them (have to follow up on that). But back to the touch-typing. I see myself at thirteen years, seated at a purgatorial row of desks with electric typewriters (IBM, I'm sure), and I'm amazed, knowing how resistant I was to the whole idea, that these drills and skills have never left me, that I did not revert to the "hunt and peck" method that many make work for them all their lives. Not only do I remember touch typing, I have gotten to be quite fast, and I will close by revealing something that a friend had to point out to me a couple years ago. As a testament to my touch-typing abilities, I didn't even know what she was talking about; I had to look at my keyboard to find that, in fact, she was right: there are no letters on my home keys anymore, the labeling has completely worn off. My laptop is all but useless to anyone who is not, like me, a touch typist.  In my house, that does provide a bit of added security. Again: thanks, Mom!

Comments

watersidemom said…
You're psychic! I was just thinking, this very weekend, how sad it was that my little ones will not know the satisfying feel of thumping those little keys, not unlike playing the piano. Ok, it's NOT like playing the piano, but it felt similar, in that they both give you that gratifying tactile resonance when you "land" that key. can one procure a good old-fashioned typewriter nowadays, i wonder? maybe i'll look into piano lessons...
Maria Verivaki said…
i'm dead without a keyboard - pen and paper just don't do it for me any more!
Anonymous said…
Were we sisters in another life? My Mom, too, made me take a typing class at that age—I think I was about to go to 7th grade, and I learned on a typewriter. Is there something lost, from key to touchpad, or is it a different feeling? My 6 year old niece types with two fingers on her DS system. Things change in leaps and bounds, but for some things-grid paper and my favorite pen—old school until they stop selling the ink.

Popular posts from this blog

Tap Root Manuscript

Here is an early music memory: I am very young. If not still a toddler, then not much older. I am running around the living room, squealing with unrestrained delight, while my dad chases me to the tune of "I Am the Lion" by Neil Diamond (Ba-pa-la ding-ga!). He's reached deep down and pulled out his big baritone voice—the one he also used for "Old Man River" on occasion; the one that always awed me. It's the early 1970s, and although hopelessly pop and showy, there is no shame in liking Neil Diamond. Not at this time. Later, I'd go through nearly two decades of keeping this (admittedly) often schmaltzy artist at more than arm's length. When I bothered to remember Neil Diamond, which generally I didn't, I thought of him more like a skeleton in my musical closet; a dirty little secret that, if exposed, would set me up for some heavy razzing from friends. I don't remember when it was that I recovered my dad's Tap Root Manuscript album. It wa...

Keith Jarrett, Carnegie Hall

It was only last night, but already it rates among my most powerful memories—one I know will reverberate down time's lonely corridors, enduring where the daily slush of logistical life (thankfully) does not. Yesterday contained plenty of logistical craziness, but by 8:00 PM I was seated in the last row of the dress circle at Carnegie Hall next to my father, looking down on a stage empty but for a single piano, a bench, and a collection of microphones wired for the live recording of Keith Jarrett's solo improvisational performance. I have always loved these charged moments of anticipation before a performance, and I expected this concert to be something special—that much more so because the tickets came through a friend of a very dear friend in California, a last-minute opportunity to be seized, and because a love of Keith Jarrett was transmitted to me by my father, and this was a great way to thank him for bringing awareness of this man's music into my life. But this is all...

S.A.R.T.

It's late at night, and you're alone in your apartment, tired but on high alert, unable to sleep. In the dark, you pray. Despite the fact that at this time in your life you would never describe yourself as a "religious" person, it is definitely a true prayer, not the bargaining offer of an exchange ( I'll reform, if only . . . ); you are not the one in need. You are the one whose job it is to help those in crisis, and although you signed up for this gig, you wish desperately that your job didn't exist, wasn't needed—not tonight, not anytime. Not while you are the volunteer on call, committed to driving at whatever hour of the night to whatever hospital emergency room phones in a case of sexual assault. Given that a possible career in criminal law was what brought me to St. Louis, it's easy to see how I found my way to S.A.R.T., the city's Sexual Assault Response Team. The program was (still is) based out of the Metro St. Louis Y.W.C.A. For voluntee...